Weronika Gęsicka, Encyclopaedia, Warschau: BLOW UP PRESS, 2024 © Weronika Gęsicka
WERONIKA GĘSICKA. ENCYCLOPAEDIA
Talk
FOTO ARSENAL WIEN Arsenal Objekt 19A, 1030 Wien
4. October 2025 | 13 o'clock
In her latest photobook, Encyclopaedia (2024), Polish artist Weronika Gęsicka embarks on a quest to find evidence of fictitious entries in historical encyclopedias, known as “Mountweazels.” Originally used to more easily prove plagiarism through the use of such “fictitious facts,” Gęsicka employs AI-generated imagery and photomontages to explore pressing questions of our time: How can we get our bearings in an era of information manipulation and fake news? Which sources can we rely on? And, above all: What do we see when we look closely?
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In her latest photobook, Encyclopaedia (2024), Polish artist Weronika Gęsicka embarks on a quest to find evidence of fictitious entries in historical encyclopedias, known as “Mountweazels.” Originally used to more easily prove plagiarism through the use of such “fictitious facts,” Gęsicka employs AI-generated imagery and photomontages to explore pressing questions of our time: How can we get our bearings in an era of information manipulation and fake news? Which sources can we rely on? And, above all: What do we see when we look closely?
Weronika Gęsicka, Encyclopaedia, Warschau: BLOW UP PRESS, 2024 © Weronika Gęsicka
In her latest photobook, Encyclopaedia (2024), Polish artist Weronika Gęsicka embarks on a quest to find evidence of fictitious entries in historical encyclopedias, known as “Mountweazels.” Originally used to more easily prove plagiarism through the use of such...
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